A companion piece to Organic Matter 2, Organic Matter 1 is in the style of Hilma af Klint, a Swedish painter and mystic, credited with creating some of the earliest known abstract pieces in Western art history. This work emphasizes the concepts of biomorphic form. A pronounced, organically inspired structure dominates the work, creating an illusion of three-dimensionality.

A companion piece to Organic Matter 2, Organic Matter 1 is in the style of Hilma af Klint, a Swedish painter and mystic, credited with creating some of the earliest known abstract pieces in Western art history. This work emphasizes the concepts of biomorphic form. A pronounced, organically inspired structure dominates the work, creating an illusion of three-dimensionality.

A companion piece to Organic Matter 2, Organic Matter 1 is in the style of Hilma af Klint, a Swedish painter and mystic, credited with creating some of the earliest known abstract pieces in Western art history. This work emphasizes the concepts of biomorphic form. A pronounced, organically inspired structure dominates the work, creating an illusion of three-dimensionality.

A companion piece to Organic Matter 2, Organic Matter 1 is in the style of Hilma af Klint, a Swedish painter and mystic, credited with creating some of the earliest known abstract pieces in Western art history. This work emphasizes the concepts of biomorphic form. A pronounced, organically inspired structure dominates the work, creating an illusion of three-dimensionality.

A companion piece to Organic Matter 2, Organic Matter 1 is in the style of Hilma af Klint, a Swedish painter and mystic, credited with creating some of the earliest known abstract pieces in Western art history. This work emphasizes the concepts of biomorphic form. A pronounced, organically inspired structure dominates the work, creating an illusion of three-dimensionality.

A companion piece to Organic Matter 2, Organic Matter 1 is in the style of Hilma af Klint, a Swedish painter and mystic, credited with creating some of the earliest known abstract pieces in Western art history. This work emphasizes the concepts of biomorphic form. A pronounced, organically inspired structure dominates the work, creating an illusion of three-dimensionality.